What I take
bookings for.
The ways I usually work. If what you need falls between two of them, say so in the message — most jobs do.
Festivals & Events
Festivals, tournaments, launches and corporate days.
If you need something up the same night, tell me beforehand — it changes how I shoot the day.
See Events workIncluded
- A few hours, a full day, or across several days
- A short cut you can post while the event is still current
- The full edit after that
- Vertical versions from the same day, shot vertical in camera
- Stills alongside the video
Short-Form & Social
Vertical photo and video, produced as a bank you can schedule.
Included
- One shoot day, enough for several weeks of posts
- Shot vertical, with room left for platform UI
- Cut for Reels, TikTok and Shorts
- Stills and video from the same session, colour matched
- Handed over labelled and ready to post
- One-off, or ongoing if it's working
Included
- On location or in a studio
- Stills and video from the same set-ups
- Framed for both feed and print crops
- Edited and graded selects, plus the full set
Weddings
Cinematic wedding coverage, shot unobtrusively.
I shoot on my own, which keeps the day quiet. For a big wedding I can bring someone in.
Included
- A call before the day to go through the schedule and who matters
- Part-day or full-day coverage
- A highlights film, colour graded
- A short teaser first, so you have something to share early
- The full stills gallery, yours to use
Ads & Brand
Short-form ads and brand films, built to a brief.
Tell me where it will run and we'll agree usage up front, so nobody is guessing later.
Included
- Work to your brief, or help put one together
- Studio or on location
- Several cuts so you can test, not just one version
- Sized for wherever it's actually running
Behind the Scenes
Second-unit coverage of your production, for your own channels.
Usually added onto a shoot day rather than booked on its own.
See BTS workIncluded
- Works alongside your main unit, out of shot
- Vertical cuts plus a longer edit
- Stills of the crew, the setup and the process
- Half day or full day
Editing & Post
Edit, grade and finish — including on footage somebody else shot.
Send a link to the rushes and a rough runtime and I'll come back to you.
See BTS workIncluded
- Edit from your rushes, to a brief or a script
- Colour grade, including matching mixed cameras and days
- Vertical cutdowns from an edit that already exists
- Photo retouch and grade, consistent across a set
- Subtitles and exports sized per platform
- No shoot day needed — this can be the whole job
Common questions
- How far ahead should I book?
- Earlier is better for weddings and big events, but I can often take shorter notice than people expect. Just message me and I'll tell you straight away whether I'm free.
- What languages do you work in?
- Malayalam, English, and working Arabic — enough to run a set and handle a shoot day, though not fluent.
- Do you travel?
- Anywhere in Saudi Arabia. Based in Jeddah, and happy to travel across the Kingdom.
- How quickly do I get the files?
- Usually about a week for social content and one to two weeks for events. If you need something to post the same night, I can cut on site — just tell me before the day.
- Can I run the footage as a paid ad?
- Yes. Just tell me where it's going to run before we shoot, so we're both clear from the start.
- Do you shoot photo as well as video?
- Both, usually in the same session, and colour matched so they look like they belong together. I also take edit-only work if you already have the footage.
Tell me what you need
Rough dates and a sentence about the project is enough to start.